And even more instructive, I think, men are learning from the show that they needn’t worry about putting colors together right. In fact, interesting color can be worn day or night, anywhere. You don’t have to be stuck with a gray suit and a white shirt. It doesn’t mean you’re less of a man if you wear lavendar. “The show has made it OK for men to enjoy fashion and to wear color. All he has to do is take chances with style and even more importantly, with color.” And that color breakthrough is the most amazing phenomenon of the show, she believes. “We use the newest and the best,” Tillen says, “and we’re a feast for the eyes.” But money has little to do with the look, she adds. The exact clothes seen on the show are unavailable (or unaffordable) for most consumers, she adds, because she buys them from top Italian designers before they’ve been shipped to stores and before men’s fashion magazines have had a chance to feature them. Crocket doesn’t walk past a peach wall wearing a lavendar jacket by mistake. We used that as the show’s palette, carrying it through into cars and sets.Įverything is color coordinated. We took from Miami what Miami had to offer-aqua water, sand, lavendar, aqua and turqoise buildings. She uses no earth tones on the show because “Miami is certain colors. The finger belongs on pastel colors rather than on any particular style, Tillen says. They say they watch the show every week to figure out exactly what the Vice look is all about, and they still can’t put their fingers on it.” Men are apparently rummaging around in different shops, she thinks, and putting the Easter-egg look together without benefit of advice.īut when she runs into executives of clothing stores, “they all seem to think I’m some sort of genius. She’s been driving across country on vacation this month and, to her amazement, she says, she’s seen “Miami Vice” style on men in big cities, small towns and even while meandering down remote country roads.
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